{"id":295,"date":"2013-05-30T14:50:55","date_gmt":"2013-05-30T14:50:55","guid":{"rendered":"http:\/\/dev.theschoolofhistoricaldress.org.uk\/?page_id=295"},"modified":"2022-11-09T18:21:19","modified_gmt":"2022-11-09T18:21:19","slug":"teachers-2","status":"publish","type":"page","link":"https:\/\/theschoolofhistoricaldress.org.uk\/?page_id=295","title":{"rendered":"Team"},"content":{"rendered":"

Our Teachers<\/h1>\n

\"Jenny<\/p>\n

JENNY TIRAMANI – PRINCIPAL<\/h2>\n

Jenny Tiramani has worked as a Costume and Stage Designer since 1977. She was Associate Designer at the Theatre Royal, Stratford East 1979-1997 and Director of Theatre Design at Shakespeare\u2019s Globe Theatre, London 1997-2005, receiving the Laurence Oliver Award for Best Costume Design 2003 for the Globe production of Twelfth Night.\u00a0<\/em>Jenny returned to the Globe in 2012 to design new productions of\u00a0Twelfth Night\u00a0<\/em>and\u00a0Richard III<\/em>\u00a0that transferred to the Apollo Theatre, Shaftesbury Avenue and then in 2013 to the Belasco Theatre, New York, receiving the TONY award for ‘Best Costume Design of a Play’.\u00a0Recent opera work includes costume designs for La Clemenza di Tito<\/em> by Mozart (Aix-en-Provence 2011),\u00a0Anna Bolena<\/em> by Donizetti (Metropolitan Opera, New York, September 2011) and costumes for\u00a0Andr\u00e9 Chenier<\/em>\u00a0by Umberto Giordano (Royal Opera House, Covent Garden, January 2015). \u00a0Future costume\u00a0and\u00a0stage designs for theatre include\u00a0The Marriage of Figaro<\/em> at the Sydney Opera House, opening in August 2015.<\/p>\n

Jenny was Visiting Professor of Costume at the School of Art & Design, Nottingham Trent University from 2009-2011. She has taught on many UK and USA costume courses as a visiting tutor and has been the Director of the Rutgers University\/Shakespeare\u2019s Globe Study Abroad Design Course in London since 2001.<\/p>\n

In 2008 she completed Janet Arnold\u2019s Patterns of Fashion 4: The cut and construction of linen shirts, smocks, headwear, neckwear and accessories for men & women c1540-1660<\/em> with Santina M. Levey (pub. MacMillan). She has since co-written Seventeenth Century Women\u2019s Dress Patterns: Book One <\/em>(pub. April 2011),\u00a0Seventeenth Century Women\u2019s Dress Patterns: Book Two<\/em> (pub. July 2012),\u00a017th-Century Men\u2019s Dress Patterns <\/em>(pub. Dec 2016) published by the V&A with Melanie Braun, Luca Costigliolo, Armelle Lucas, Susan North and Claire Thornton.<\/p>\n

Jenny is currently\u00a0working on the\u00a0new editions of Patterns of Fashion 3 and 4.<\/p>\n

 <\/p>\n

\"Melanie<\/p>\n

MELANIE BRAUN<\/h2>\n

Melanie Braun is the Head of Wardrobe at the Nationale Reisopera, Enschede, national touring opera company of the Netherlands. In 2013 she supervised the costumes for Gloriana<\/em> by Benjamin Britten for the Royal Opera House, Covent Garden.<\/p>\n

She started her professional life with an apprenticeship at the ladies\u2019 tailoring department at the Staatstheater Braunschweig, taking her final examination to become a \u2018Gesellin\u2019.\u00a0Melanie moved to Berlin in 1989 to work as a junior hand at the Schillertheater and later as a senior hand at Theater des Westens. After five years in Berlin she took up further education at Anna-Siemsen Schule, Hamburg, to become a \u2018Gewandmeisterin\u2019 and master of the guild, focusing on the fine art of drafting patterns and cutting clothes. Melanie then worked as Gewandmeisterin, Deputy Head of Wardrobe and Head of wardrobe at the Theater Vorpommern. In 2002 she moved to England to work for the Glyndebourne Opera Festival.<\/p>\n

Melanie joined the clothing team at Shakespeare\u2019s Globe, London, as a cutter in 2003, studying surviving sixteenth and seventeenth century clothes at the V&A, Abegg Stiftung and various institutions in Germany.\u00a0She is a co-author of\u00a0Seventeenth Century Women\u2019s Dress Patterns: Book One<\/em>\u00a0&\u00a0Book Two\u00a0<\/em>and\u00a017th-Century\u00a0Men\u2019s Dress Patterns\u00a0<\/em>for V&A publications.<\/p>\n

She is currently working on Patterns of Fashion 7<\/em> on 17th century menswear, due in 2024 and\u00a0on the\u00a0new editions of Patterns of Fashion 3 and 4.<\/p>\n

 <\/p>\n

\"Luca<\/p>\n

LUCA COSTIGLIOLO<\/h2>\n

Luca works as a designer and costume cutter for theatre productions and films all around Europe. For nine years he was the Head of Wardrobe for the Spoleto Opera Festival in Italy and he was a member of the wardrobe team at Shakepseare\u2019s Globe Theatre from 1999-2005, cutting and hand-making clothes for many productions including the award winning Twelfth Night<\/em> for which he made Mark Rylance\u2019s \u2018Olivia\u2019 outifits. In 2004 Luca designed the costumes for Much Ado About Nothing<\/em> directed by Tamara Harvey.<\/p>\n

He teaches accurate historical cutting and sewing techniques at the Centro Sperimentale di Cinematografia in Rome, along with world famous costume designer Piero Tosi until 2019.<\/p>\n

His knowledge on historical tailoring and dressmaking techniques have led him to collaborate with museums with important dress collections such as The Bowes Museum, Barnard Castle, County Durham, where he completed the reconstruction of a Worth ball gown worn by Josephine Bowes in 1861. A video showing him dressing a model in all the layers of clothing worn by a lady in 1870 is also on show in the textile gallery. In 2011 he completed a project with the National Trust for whom he has recreating an 1884 gown of Princess Alexandra. He was also the historical sewing expert on recent BBC programmes such as Victorian Farm<\/em> and Edwardian Farm<\/em>.<\/p>\n

He worked as a cutter on the Showtime costume drama The Borgias<\/em> creating all the costumes for the role of Lucrezia Borgia designed by Gabriella Pescucci and he was head costume cutter on the western The Brother Sisters<\/em> designed by Milena Canonero. Recently he\u00a0worked as assistant costume designer on the TV series Il Commisario Ricciardi<\/em> and in 2022 costume designer on Una femmina<\/em> and Spacaossa<\/em>.<\/p>\n

Luca is a co-author with Melanie Braun, Armelle Lucas, Susan North, Claire Thornton and Jenny Tiramani of Seventeenth Century Women\u2019s Dress Patterns: Book One<\/em> & Book Two <\/em>and\u00a017th-Century\u00a0Men\u2019s Dress Patterns\u00a0<\/em>for V&A publications. He is currently\u00a0working on the\u00a0new editions of Patterns of Fashion 3 and 4.<\/p>\n

 <\/p>\n

\"Claire<\/p>\n

CLAIRE THORNTON<\/h2>\n

For the last fifteen years Claire has made costumes for film, theatre and television.<\/p>\n

Films include Topsy Turvy<\/em> directed by Mike Leigh and Sleepy Hollow<\/em>, directed by Tim Burton. Television work includes Timewatch<\/em> and Wartime Farm<\/em> for the BBC.<\/p>\n

She was a member of the Original Practices clothing team at Shakespeare\u2019s Globe Theatre from 1999-2005 where her clothes included those worn by Mark Rylance as Cleopatra in Antony & Cleopatra<\/em>, 1999, and as Richard II<\/em> in Richard II, 2003. Claire also hand-made clothing for The BIG Secret Live \u2018I am Shakespeare\u2019 Webcam daytime chat-room show <\/em>by Mark Rylance for the Chichester Festival, 2007. She returned to the Globe in 2012 to hand-make Mark Rylance\u2019s clothes for Richard III<\/em> and Stephen Fry\u2019s Malvolio <\/i>outfit in Twelfth Night<\/em>. Other theatre work includes making costumes for the Theatre Royal Stratford East, the Royal National Theatre and Fiery Angels Productions.<\/p>\n

Teaching includes classes on seventeenth century cutting and construction for the Rutgers\/Globe Theatre Design Course.\u00a0 She also specializes in seventeenth century embroidery stitches, quilting and Haute Couture draping and sewing techniques.<\/p>\n

Claire\u00a0is a co-author, with Melanie Braun, Luca Costigliolo, Armelle Lucas, Susan North and Jenny Tiramani, of Seventeenth Century Women\u2019s Dress Patterns Book One<\/em> & <\/i>Book Two<\/em>\u00a0and 17th-Century\u00a0Men\u2019s Dress Patterns\u00a0<\/em>for V&A publications. She is\u00a0currently\u00a0working on the\u00a0new editions of Patterns of Fashion 3 and 4.<\/p>\n

gallery of our recent work<\/h2>\n
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1494 gown<\/div>\t\t\t\t\t
Fitting of clothing for Holliday Grainger as Lucrezia Borgia in The Borgias: Season 1, Showtime Productions 2010. Cutter, Luca Costigliolo<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1494 gown<\/div>\t\t\t\t\t
Clothing for Holliday Grainger as Lucrezia Borgia in The Borgias: Season 1, Showtime Productions<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1494 gown<\/div>\t\t\t\t\t
Fitting of clothing for Holliday Grainger as Lucrezia Borgia in The Borgias: Season 1, Showtime Productions<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1530 outfit<\/div>\t\t\t\t\t
Clothing hand-made for Jack Brotchie as Matthaus Schwarz. The First Book of Fashion project, Cambridge University 2013. Designer & cutter Jenny Tiramani<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1535 outfits<\/div>\t\t\t\t\t
Clothing for Anna Netrebko as Ann Boleyn & Stephen Costello as Lord Percy in Anna Bolena, Metropolitan Opera New York, 2011. Designer, Jenny Tiramani. Photographer Ken Howard for the Metropolitan Opera.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1590 outfit<\/div>\t\t\t\t\t
Clothing hand-made for Paul Chahidi as Lord Hastings in Richard III, Shakespeare\u2019s Globe & Apollo Theatre 2012. Designer Jenny Tiramani, sword harness made by Karl Robinson. Photographer Simon Annand.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1590 outfit<\/div>\t\t\t\t\t
Clothing hand-made for Sam Barnett as Queen Elizabeth in Richard III, Shakespeare\u2019s Globe & Apollo Theatre 2012. Designer Jenny Tiramani. Photographer Simon Annand.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1590 outfit<\/div>\t\t\t\t\t
Clothing hand-made for Sam Barnett as Queen Elizabeth in Richard III, Shakespeare\u2019s Globe & Apollo Theatre 2012. Designer Jenny Tiramani. Photographer Simon Annand.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1600 Italian Princess<\/div>\t\t\t\t\t
Clothing made for a young model as an Italian Princess by first year Costume Interpretation students at Wimbledon College of Art 2007. Tutor Jenny Tiramani<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1600 Italian Princess<\/div>\t\t\t\t\t
Clothing made for a young model as an Italian Princess by first year Costume Interpretation students at Wimbledon College of Art 2007. Tutor Jenny Tiramani<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1590s outfit<\/div>\t\t\t\t\t
Clothing hand-made for Roger Lloyd Pack as Sir Andrew Aguecheek in Twelfth Night, Shakespeare\u2019s Globe & Apollo Theatre 2012. Designer Jenny Tiramani. Photographer Simon Annand.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1605 outfit<\/div>\t\t\t\t\t
Clothing hand-made for Stephen Fry as Malvolio in Twelfth Night, Shakespeare\u2019s Globe & Apollo Theatre 2012. Designer Jenny Tiramani, cutter Claire Thornton. Photographer Simon Annand.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1605 outfit<\/div>\t\t\t\t\t
Clothing hand-made for Johnny Flynn as Cesario in Twelfth Night, Shakespeare\u2019s Globe & Apollo Theatre 2012. Designer Jenny Tiramani, cutter Melanie Braun. Photographer Simon Annand.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1605 outfit<\/div>\t\t\t\t\t
Clothing hand-made for Liam Brennan as Count Orsino in Twelfth Night, Shakespeare\u2019s Globe & Apollo Theatre 2012. Designer Jenny Tiramani. Photographer Simon Annand.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1690 outfit<\/div>\t\t\t\t\t
Clothing made by Costume Design students at the Centro Sperimentale di Cinematografia in Rome in 2010. Tutor Luca Costigliolo<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1690 outfit<\/div>\t\t\t\t\t
Clothing made by Costume Design students at the Centro Sperimentale di Cinematografia in Rome in 2010. Tutor Luca Costigliolo<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1690 outfit<\/div>\t\t\t\t\t
Clothing made by Costume Design students at the Centro Sperimentale di Cinematografia in Rome in 2010. Tutor Luca Costigliolo<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1770 outfit<\/div>\t\t\t\t\t
Fitting of clothing made for Stephen Wallace as Medoro in Orlando for Opera Lille 2010. Designer Jenny Tiramani<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1770 outfits<\/div>\t\t\t\t\t
Fitting of clothing made for dancers as servants in Orlando for Opera Lille 2010. Designer Jenny Tiramani<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1780 gown<\/div>\t\t\t\t\t
Clothing made by Costume Design students at the Centro Sperimentale di Cinematografia in Rome in 2005. Tutor Luca Costigliolo<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1830 outfit<\/div>\t\t\t\t\t
Clothing made by Costume Design students at the Centro Sperimentale di Cinematografia in Rome in 2007. Tutor Luca Costigliolo<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1830 outfit<\/div>\t\t\t\t\t
Clothing made by Costume Design students at the Centro Sperimentale di Cinematografia in Rome in 2007. Tutor Luca Costigliolo<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1840 outfit<\/div>\t\t\t\t\t
Clothing made by Costume Design students at the Centro Sperimentale di Cinematografia in Rome in 2004. Tutor Luca Costigliolo<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1870 outfit<\/div>\t\t\t\t\t
Clothing made by Costume Design students at the Centro Sperimentale di Cinematografia in Rome in 2007. Tutor Luca Costigliolo<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1870 dress<\/div>\t\t\t\t\t
Clothing made by Costume Design students at the Centro Sperimentale di Cinematografia in Rome in 2007. Tutor Luca Costigliolo<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1884 dress<\/div>\t\t\t\t\t
Recreation of a dress worn by Princess Alexandra for the National Trust at Craigside 2011. Cutter and maker Luca Costigliolo<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1884 dress<\/div>\t\t\t\t\t
Recreation of a dress worn by Princess Alexandra for the National Trust at Craigside 2011. Cutter and maker Luca Costigliolo<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1890 outfit<\/div>\t\t\t\t\t
Clothing made by Costume Design students at the Centro Sperimentale di Cinematografia in Rome in 2006. Tutor Luca Costigliolo<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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1940s suit<\/div>\t\t\t\t\t
Clothing for Ruth Goodman on Wartime Farm BBC2 2012. Cutter and maker Claire Thornton. \u00a9 BBC<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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    Our Teachers JENNY TIRAMANI – PRINCIPAL Jenny Tiramani has worked as a Costume and Stage Designer since 1977. She was Associate Designer at the Theatre Royal, Stratford East 1979-1997 and Director of Theatre Design at Shakespeare\u2019s Globe Theatre, London 1997-2005, receiving the Laurence Oliver Award for Best Costume Design 2003 …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"template-sidebar-content.php","meta":{"footnotes":""},"class_list":["post-295","page","type-page","status-publish","hentry"],"yoast_head":"\nTeam - The School of Historical Dress<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theschoolofhistoricaldress.org.uk\/?page_id=295\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Team - The School of Historical Dress\" \/>\n<meta property=\"og:description\" content=\"Our Teachers JENNY TIRAMANI – PRINCIPAL Jenny Tiramani has worked as a Costume and Stage Designer since 1977. 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