{"id":98,"date":"2013-05-21T22:08:19","date_gmt":"2013-05-21T22:08:19","guid":{"rendered":"http:\/\/dev.theschoolofhistoricaldress.org.uk\/?page_id=98"},"modified":"2015-11-28T15:14:38","modified_gmt":"2015-11-28T15:14:38","slug":"previous","status":"publish","type":"page","link":"https:\/\/theschoolofhistoricaldress.org.uk\/?page_id=98","title":{"rendered":"Previous Courses"},"content":{"rendered":"
\"Previous

School of Historical Dress<\/p><\/div>\n

Since Autumn 2011 we have offered short courses on the following subjects:<\/h1>\n

How to Design a Historical Character<\/p>\n

Exploring Flat Pattern Drafting<\/p>\n

An Introduction to the Study of Historical Dress 1500-1900<\/p>\n

The Nature of Fabrics 1400 – 1800<\/p>\n

Tailoring Stitches & Techniques 1400-1800<\/p>\n

From Jacks to Jumps;\u00a0Quilted Garments 1350 – 1800<\/p>\n

Felt-making for Hats 1400 – 1900<\/p>\n

The Art of the Seamstress 1500 – 1900<\/p>\n

Historical Stitching & Decorative Techniques on Leather 1400-1600<\/p>\n

The Cut & Construction of 15th Century Men’s Doublets<\/p>\n

An Introduction to European Men\u2019s Dress 1500-1550<\/p>\n

The Cut & Construction of the Italian Sottana (Kirtle) in the 1540s<\/p>\n

Embroidery on Garments 1525 – 1625<\/p>\n

The Cut & Construction of Men\u2019s Doublets 1580-1620<\/p>\n

The Cut of Men\u2019s Hose 1600-1620<\/p>\n

The Design, Construction and Use of Renaissance Armour<\/p>\n

Early 17th Century Underpinnings<\/p>\n

Making, Starching & Setting an Elizabethan Ruff<\/p>\n

Wig-making 1600 – 1800<\/p>\n

Pockets for Men & Women 1600 – 1900<\/p>\n

18th\u00a0Century Underpinnings \u2013 Stays & Hoops<\/p>\n

Hoops & Rumps 1750 -1790<\/p>\n

The Cut & Construction of Stays 1750\u20131790<\/p>\n

The Cut & Construction of Late 18th\u00a0Century Women’s Clothing (Free Courses)<\/p>\n

The Cut & Construction of 18th Century Men’s Breeches<\/p>\n

The Nature of Fabrics 1800 – 1900<\/p>\n

An Introduction to the Study of Historical Dress 1850-1900<\/p>\n

Dress Decorations of the 1860s & 1870s<\/p>\n

1860s Corsetry<\/p>\n

The Cut & Construction of Corsets 1880-1900<\/p>\n

Bustles 1885 – 1890<\/p>\n

Late Victorian Dress-making Techniques<\/p>\n

Madeleine Vionnet & The Art of Draping\u00a01910 – 1940<\/p>\n

Good Plain Sewing – The Craft of the Home Dress-maker 1900 – 1950<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

Two Timetables of Previous Courses<\/h1>\n
\"Previous

School of Historical Dress<\/p><\/div>\n

THE CUT & CONSTRUCTION OF MEN\u2019S DOUBLETS c. 1580-1620<\/h2>\n

Tuesday 2nd April 2013<\/h2>\n

9.00am\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Registration and coffee<\/p>\n

10.00am \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Introductory talk<\/p>\n

11.00am \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Taking measurements and pinning body blocks on male models<\/p>\n

1.00pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Lunch<\/p>\n

2.00pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Drafting demonstration for a peascod-fronted doublet<\/p>\n

4.00pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Drafting demonstration for a flat-fronted doublet<\/p>\n

6.00pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Finish<\/p>\n

Wednesday 3rd April 2013<\/h2>\n

9.00am\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Drafting \u00bd size doublet pattern<\/p>\n

1.00pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Lunch<\/p>\n

2.00pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Cutting interlinings<\/p>\n

3.00pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Quilting demonstration and pad-stitching full-size doublet<\/p>\n

6.00pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Finish<\/p>\n

Thursday 4th April 2013<\/h2>\n

9.00am\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Drafting and cutting laps, wings and collar<\/p>\n

1.00pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Lunch<\/p>\n

2.00pm\u00a0\u00a0\u00a0 Cutting and basting full-size doublet<\/p>\n

6.00pm\u00a0\u00a0\u00a0 Finish<\/p>\n

Friday 5th April 2013<\/h2>\n

9.00am\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Fitting the full-size doublet on male model<\/p>\n

10.00am\u00a0 Post-fitting alterations<\/p>\n

11.00am\u00a0 Stitch techniques on sampler<\/p>\n

1.00pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Lunch<\/p>\n

2.00pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Cutting and stitching full-size doublet<\/p>\n

6.00pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Visit to the V&A Museum to study doublets and hose on display<\/p>\n

Saturday 6th April 2013<\/h2>\n

9.00am\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Working on the full-size doublet<\/p>\n

1.00pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Lunch<\/p>\n

2.00pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Decorative techniques and application of braid<\/p>\n

6.00pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Finish<\/p>\n

 <\/p>\n

\"Previous

School of Historical Dress<\/p><\/div>\n

AN INTRODUCTION TO THE STUDY OF DRESS 1850-1900<\/h2>\n

Saturday 23rd March 2013<\/h2>\n

9.30am\u00a0\u00a0\u00a0\u00a0\u00a0Registration and coffee<\/p>\n

10.00am\u00a0\u00a0\u00a0 Overview of dress 1850-1880<\/p>\n

10.30am\u00a0\u00a0\u00a0 Women\u2019s clothing and accessories 1850-65 from the Hopkins Collection<\/p>\n

11.30am\u00a0\u00a0\u00a0 Close inspection of extant clothing and accessories 1850-65<\/p>\n

12 noon\u00a0\u00a0\u00a0\u00a0Lunch<\/p>\n

1.00pm\u00a0\u00a0\u00a0\u00a0\u00a0Women\u2019s clothing and accessories 1865-80 from the Hopkins Collection<\/p>\n

2.00pm\u00a0\u00a0\u00a0\u00a0\u00a0Close inspection of extant clothing and accessories 1865-80<\/p>\n

2.30pm\u00a0\u00a0\u00a0\u00a0\u00a0Tea<\/p>\n

3.00pm\u00a0\u00a0\u00a0\u00a0\u00a0Lace 1850-1900 \u2013 making bobbin lace with Christine Prentis<\/p>\n

4.00pm\u00a0\u00a0\u00a0\u00a0\u00a0Patterns 1850-1900 with Jenny Tiramani<\/p>\n

4.30pm\u00a0\u00a0\u00a0\u00a0\u00a0Taking patterns from extant garments with Jenny Tiramani<\/p>\n

5.30pm\u00a0\u00a0\u00a0\u00a0\u00a0Finish<\/p>\n

Sunday 24th March 2013<\/h2>\n

9.30am\u00a0\u00a0\u00a0\u00a0 Coffee<\/p>\n

10.00am\u00a0\u00a0 Men\u2019s clothing and accessories 1850-1900 from Robert Whorley\u2019s Collection<\/p>\n

10.45am\u00a0\u00a0 Overview of women\u2019s clothing and accessories 1880-1900<\/p>\n

11.15am\u00a0\u00a0 Women\u2019s clothing and accessories 1880-90 from the Hopkins Collection<\/p>\n

12 noon\u00a0\u00a0\u00a0 Close inspection of extant clothing and accessories 1865-80<\/p>\n

12.30pm\u00a0\u00a0 Lunch<\/p>\n

1.30pm\u00a0\u00a0\u00a0\u00a0 Plain sewing 1850-1900<\/p>\n

2.00pm\u00a0\u00a0\u00a0\u00a0 Sewing machines from the period with John Langdon from the International<\/p>\n

Sewing Machine Collectors\u2019 Society<\/p>\n

3.00pm\u00a0\u00a0\u00a0\u00a0 Tea<\/p>\n

3.30pm\u00a0\u00a0\u00a0\u00a0 Women\u2019s clothing and accessories 1890-1900 from the Hopkins Collection<\/p>\n

4.30pm\u00a0\u00a0\u00a0\u00a0 Close look at extant clothing and accessories 1890-1900<\/p>\n

5.00pm\u00a0\u00a0\u00a0\u00a0 Finish<\/p>\n

gallery of previous courses in progress<\/h2>\n
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Historical Stitching & Decoration on Leather 1400-1600, 2013<\/div>\t\t\t\t\t
Karl Robinson demonstrating how to use a leather clamp for stitching.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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An Introduction European Men\u2019s Dress 1500-1550, 2013<\/div>\t\t\t\t\t
Students working samples of Italian shirring on white linen.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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An Introduction to European Men\u2019s Dress 1500-1550, 2013<\/div>\t\t\t\t\t
Students couching silk velvet guards onto yellow silk taffeta on an embroidery tent.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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The Cut & Construction of Men\u2019s Doublets 1580-1620, 2013<\/div>\t\t\t\t\t
Marita Schoonheijm, costume maker from Amsterdam, stitching a half-size doublet toile.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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The Cut & Construction of Men\u2019s Doublets 1580-1620, 2013<\/div>\t\t\t\t\t
Students drafting doublet patterns using geometric principles.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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The Cut & Construction of Men\u2019s Doublets 1580-1620, 2013<\/div>\t\t\t\t\t
Tutors Melanie Braun and Claire Thornton demonstrating how to fit a straight-fronted doublet foundation.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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The Cut & Construction of Men\u2019s Doublets 1580-1620, 2013<\/div>\t\t\t\t\t
A half-size doublet sampler by Viviane Chen in progress.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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The Cut & Construction of Men\u2019s Doublets 1580-1620, 2013<\/div>\t\t\t\t\t
Half-size doublet sampler by Marita Schoonheijm in progress.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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Eighteenth Century Underpinnings \u2013 Stays & Hoops, 2012<\/div>\t\t\t\t\t
Luca Costigliolo, tutor, demonstrating how to fit a linen toile of a pair of c.1780 stays on a model.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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Eighteenth Century Underpinnings \u2013 Stays & Hoops, 2012<\/div>\t\t\t\t\t
Students boning their linen stays\u2019 toiles with synthetic baleen strips.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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The Cut & Construction of Stays 1750\u20131790, 2013<\/div>\t\t\t\t\t
A student toile of a pair of late eighteenth century stays.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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The Cut & Construction of Stays 1750\u20131790, 2012<\/div>\t\t\t\t\t
A student\u2019s linen toile prepared for a fitting.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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The Cut & Construction of Stays 1750\u20131790, 2012<\/div>\t\t\t\t\t
The back of a blue silk damask gown c. 1760-70 from the Hopkins Collection that students were able to examine to aid their understanding of the relationship between stays and outer garments.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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The Cut & Construction of Corsets 1880-1900, 2013<\/div>\t\t\t\t\t
The calico toile of an 1880s corset made by Jill Salen being fitted on another student.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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The Cut & Construction of Corsets 1880-1900, 2013<\/div>\t\t\t\t\t
A cotton sateen corset sampler by Marita Schoonheijm in progress.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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The Cut & Construction of Corsets 1880-1900, 2013<\/div>\t\t\t\t\t
A selection of late nineteenth century corsets from the Hopkins Collection used as references during the course.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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An Introduction to the Study of Historical Dress 1850-1900, 2013<\/div>\t\t\t\t\t
Some of the sewing machines used by John Langdon of the Sewing Machine Collectors\u2019 Society in his session on the evolution of sewing machines.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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An Introduction to the Study of Historical Dress 1850-1900, 2013<\/div>\t\t\t\t\t
Late nineteenth century footwear from the Hopkins Collection.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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An Introduction to the Study of Historical Dress 1500-1900, 2011<\/div>\t\t\t\t\t
Claire Thornton leading a session on threads for sewing, embroidery and lace-making.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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An Introduction to the Study of Historical Dress 1500-1900, 2012<\/div>\t\t\t\t\t
Tutor Julie Rutter teaching a session on weaving narrow braids on an inkle loom.<\/div>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\r\n\t\t\t
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  • <\/li><\/ul><\/div>\r\n\r\n\t
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    <\/div><\/div>\r\n\r\n\t\r\n\r\n\t<\/div>\n","protected":false},"excerpt":{"rendered":"

    Since Autumn 2011 we have offered short courses on the following subjects: How to Design a Historical Character Exploring Flat Pattern Drafting An Introduction to the Study of Historical Dress 1500-1900 The Nature of Fabrics 1400 – 1800 Tailoring Stitches & Techniques 1400-1800 From Jacks to Jumps;\u00a0Quilted Garments 1350 – …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-sidebar-content.php","meta":{"footnotes":""},"class_list":["post-98","page","type-page","status-publish","hentry"],"yoast_head":"\nPrevious Courses - The School of Historical Dress<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theschoolofhistoricaldress.org.uk\/?page_id=98\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Previous Courses - 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